to my news page
This is probably the best place to see what I've been up to recently since
I'm terrible at updating my site.
I've been informed by the good people at Aesthetica
Magazine that one of my prints has been selected for the Aesthetica
Creative Works Annual which will be appearing in December. Out of 12000
submissions from 30 countries, they selected 40 images... and my print
- "By the Rivers of Babylon" - was one of them. What can I say
- Grab yourself a copy when it appears in December. To see my prints click
My friend Gabriele
Zucchelli has told me that our documentary
will have its first broadcast in Sweden on the 12th of December by the
Swedish National Television Broadcaster SVT.
So, check it out if you're in Sweden or Denmark in December.
I'm currently working on a very beautiful new film by artist Ursula
Mayer. Visit the Frieze Art Fair in London to see it. I've been doing
the online edit and the sound design.
This month I'm finishing off authoring the DVD for the documentary Quirino
Cristiani: The Mystery of the First Animated Movies.
It's a documentary which Gabriele
Zucchelli and I have been working on for the best part of 3 years.
It's been a real labour of love. It contains many special features and
subtitles in 6 languages.
I am also doing some work on a short-film by William
Peschek. After having done the location sound recording for the film,
I'm now compositing some effects shots. It's a new experience working
with RED 4k footage - daunting and exciting.
I've helped artist Mayling To finish off her new
video called Dear
Tom. I did the on-line edit, colour correction and a bit of motion
Been working with Mairead
McClean on her documentary For
The Record. I did the on-line edit, final audio mix and colour correction.
It's a very personal documentary about her father who was a poltical prisoner
in Northern Ireland. Always nice to work on projects which let some daylight
into the murk of politics and power.
Just finished the epic final audio mix of Fall
In Frame by artist Sarah
Pucill. This is the second project we've worked on together. The sound
in Sarah's films has a huge dynamic range - from total silence to very
loud. This is a real challenge to mix and a big challenge for the people
at the film lab who have to put it back onto film.